I think that because of teaching – having a ‘career’ – being in the ‘real’ world, with dopey minds, who can only ‘argue for more’ or ‘bargain for less’ as you say – that this makes it easier for me to become infected with the linear thinking found in universities – and elsewhere too. I begin to wobble – wonder if I am reaching for the invisible too much – and in tottering like this, I am prone to settle for ‘less’. And luckily for me, ‘less’ sticks in my stomach like a sour thing until my ‘ideal’, that I’ve always had but lose momentarily (could be that one should – needs – to have it slip away – in order to regain it) the ‘shimmering’ – ‘the dazzling gift’. I think you are writing about the generous law that exists in art. A law which can never be given but only found anew each time in the making of the work. It is a law, too, which allows your forms (characters) to spin away, take off, as if they have their own lives to lead – unexpected too – as if you cannot completely control it all. I wonder why we seek this generous law, as I call it. For we do not know how it governs – and under what special conditions it comes into being. I don’t think we are permitted to know other than temporarily. A disappearance act. The only problem is how to keep away from the minds that close in and itch (God knows why) to define it.
Most artwork photos are by Dana Davis Photography